Eight Questions With… Anthony McGowan

Hi Tony, and welcome (finally) to Eight Questions With… an interview for Teen Librarian. I was just trying to work out why considering how long we have known each other I have never interviewed you before – do you have any idea why?

I seem to remember that you did interview me for Teen Librarian, back in the Henry Tumour period … In fact, YES! Found it.

Editor’s note: yes, I did interview Tony, it appeared way back in 2007, you can read it here: TLM May 2007 Now let us never mention this embarrassing incident again and get on with the interview…

You currently have three books published by Barrington StokeThe Fall, Brock & Pike, would you be able to give a short introduction to each for readers that may not have already discovered these?

It might be easiest if I discuss Brock and Pike first. They both feature brothers Nicky and Kenny. At the beginning of Brock their family is in a bit of a mess. Their mum has left them, and their father can’t really cope – he’s lost his job, and generally fallen apart. Nicky is the narrator, and acts as a sort of carer for Kenny, who has special needs. Nicky thinks the best word to describe his brother is ‘simple’ –

People say he’s simple, and he is. I know you’re not meant to say ‘simple-minded’ anymore, but it seems to me that it’s the exact right word for Kenny. He hasn’t got all the stuff going on that mess up other people’s heads. He isn’t always trying to work out the angles, or how to stitch you up. He thinks other people are as kind as he is, and he only has one idea at a time. His brain was starved of oxygen when he was getting born, so now he has what they 9781781124666call learning difficulties. But, like I say, I think ‘simple’ is better and kinder and truer than talking about ‘difficulties’ or ‘disabilities’.

The Nicky-Kenny relationship is the key to the two novels. In Brock, they save a badger from a terrible fate, and Pike is a sort of treasure hunt/adventure story about a body in a lake, and a gold watch, but the relationship between the brothers remains central. They’re stories about love and friendship and redemption. The boys love helps to save the family. Unusually, for me (!) the books have upbeat endings.

The Fall is a rather darker book, telling two traumatic linked tales, about a kid called Mog. The book is about betrayal, and bullying, but doesn’t end well … But I think it has a certain bleak power.

I recall reading a while ago that Brock & Pike are the first two parts of a trilogy – is this true or is my brain making up things as I have not been able to find anything about it?
fall mcg
I decided that The Fall was just too depressing – especially as the main character is partly based on me, so I bring Mog back in Pike, giving him a kind of redemption, too. So The Fall, Brock and Pike do finally form a sort of loose trilogy.

You are one of the most entertaining authors I follow on twitter and facebook, will you ever be producing a book or e-book of your online musings & conversations?

Hah! Well, a few people have suggested it. I’m not much good at Twitter – my speciality is a sort of rambling surrealist anecdote, and I can’t squeeze that into a tweet. My whimsy really needs the greater length of Facebook. But I do think that some of the best things I’ve ever written have been ‘wasted’ on Facebook, so it would be quite nice to give them a second life.

Are you currently working on anything you can share with the audience? (I am hoping for a follow-up to Hello Darkness as it was one of my favourite reads last year)

I’ve just finished a book I’ve been writing on with another author – the brilliant Jo Nadin. It’s called Everybody Hurts, and it’s a twisted little love story, written from male and female perspectives. The first draft is done, and we’re about to give it a final polish. It probably won’t come out until 2017, as these things always seem to take forever. I’m also well into a huge blockbuster horror project – a sort of Stephen King for teens. The working title is The Wrath. There’s a lot of blood.

Apart from your books, can you recommend any other titles on the Barrington Stoke teen lists?

Barrington Stoke, although small, attract some amazing authors – Kevin Brooks, Keith Gray, Meg Rosoff, Sally Nicholls, Aidan Chambers, Eoin Colfer, Frank Cottrell Boyce, to name but some. Really, you can’t go wrong with any of their Barrington Stoke books.

Are any of your works based on personal experiences?

They all are, to some extent – even the mad, surreal ones, like Hellbent and Hello Darkness. But Brock and Pike are very much set in the small town where I was brought up – Sherburn in Elmet, in Yorkshire. Although it isn’t named, anyone from Sherburn would recognise it instantly. But, in general, most of my characters are versions of people I’ve met. Warped, twisted versions …

Lastly what are you currently reading and would you recommend it to a bunch of librarians?

I’m working my way though the My Struggle sequence by Karl Ove Knausgård – which reads a bit like a po-faced version of my facebook posts. It has a richness and depth, but can also be a bit … dull. So not sure I’d recommend it. What I would certainly recommend, however, is How To Be A Public Author, by Francis Plug (really Paul Ewen) – an hysterical novel about a drunken would be writer, who attends every possible book event to learn the job. It’s ludicrously funny and silly, but also oddly moving, and a tribute to all us bibliophiles.

Thank you so much for giving up your time to participate in this interview!

Pablo & Jane and the Hot Air Contraption by José Domingo


Pablo & Jane and the Hot Air Contraption is one of my favourite books, published by Flying Eye Books (the people that brought you the Kate Greenaway Medal winning Shackleton’s Journey by William Grill).

It is a brightly-coloured insane romp that appeals to the cartoon, adventure and monster loving young reader inside of me! The artwork sears itself onto the back of my eyelids so that each time I blink I catch flashes of the story, It is a bit like after-images of the sun when you walk inside on a really bright day.

But – for all the brightness, Pablo & Jane and the Hot Air Contraption is a dark, twisty adventure story filled with insane cat scientists, monsters, a heroic mouse and two children on an urgent journey through the monster dimension. The artwork is beautiful and incredibly intricate, it is what you get if you mash up Where’s Wally, Billy & Mandy and fever dreams that Roman Dirge & Jhonen Vasquez would shelve as being too far out there!

It is not just the story and art that is fantastic! Flying Eye has gone all out to make sure that Pablo & Jane feels as wonderful as it looks, from the gleaming soft-to-touch cover to sumptuous end-papers and high quality paper the book is a work of book-making art as well as being a bright and beautiful book to read!

This is an adventure comic book to read again and again, to revel in the art, and work your way over the pages marvelling at all the little things that you missed the first 50 times you paged through the book. If it was purely a written work it may be as long as War and Peace as so much is going on in the pages!

Seriously take a look at the image below:

and that is just a part of one page.

If there was ever a book to buy to keep your kids quiet or partner out of the way or even just to full hours of time with looking in amazement at and enjoying the story; then Pablo & Jane and the Hot Air Contraption is it!

I don’t often say this, but, buy this book! Support Flying Eye Books and Nobrow Press as they challenge the boundaries of what picture books are and can be!

Find out more about the book and where to get it here:

Pablo & Jane and the Hot Air Contraption


Pablo & Jane and the Hot Air Contraption written & illustrated by José Domingo and published by Flying Eye Books is available now!

Eight Questions With… Andy Mulligan

Hi Andy, welcome to the Teen Librarian Eight Questions With… interview! The first thing I usually ask is for interviewees to introduce themselves but I think that you are so well known that I will instead ask you to introduce LIQUIDATOR.

LIQUIDATOR unites a number of child-heroes: the weak, the strong, the dim, the brilliant…and I send them happily off on a week of work-experience. My characters soon go way beyond their placements, however, working to expose a multi-national corporation that’s threatening the world – and this isn’t 007 land, by the way, where the villains are psychopathic criminals. My villain is real. It’s developing a so-called health drink that will addict a new generation to sugars, steroids and caffeine: a performance enhancing health-drink with a billion-dollar marketing campaign, and a history of very dubious medical trials in the developing world – the stuff of fact, in other words.

The second question is… what would you do if you found out something bad… something really bad?

I’d walk away very quickly and pretend I hadn’t seen it. Sorry, but I’m a coward and I don’t like conflict.

Did you ever participate in a work experience scheme in school?

For some reason, no – I went to a grammar school in the seventies when all we did was learn by rote and sing ‘Jerusalem’. I used to supervise such weeks, when I was a teacher – and they were all too often a predictable disappointment, as kids returned to school having experienced only the stranglehold of insurance and safety concerns. I always hoped that one day, a would-be teenage surgeon would come rushing back to class, shouting “It was great! I cut someone open!” It never happened in life, so I’ve put into fiction.

What inspired the writing of LIQUIDATOR?

– see above. The thrill of the chase, too: I do love fast-moving, action packed adventures with real jeopardy.

Apart from LIQUIDATOR, what other works for young readers can you recommend?

I’m afraid I don’t read that much, for fear I’ll either be dismayed at its brilliance, or seduced into copying. I have a few ‘touchstone’ YA books, the main one of which is John Boyne’s THE BOY IN THE STRIPED PYJAMAS. If I get stuck, I read a chapter of that and it always unsticks me. Other than that, I am desperately traditional. I love the Moomins, for sheer surrealism.

What is your favourite part of the writing process?

First draft, for sure. It’s like playing with dolls: you get lost in the game as the dolls come to life and do things you never expected. Returning to the m/s for editing is good, too – and it’s lovely to share your work with agent and editor. But there’s nothing quite like the virgin sand of first draft.

With LIQUIDATOR only having just landed it may be a bit premature to ask this question, but I will ask it anyway. Do you have anything new planned that you can share with the audience?

I’m working on a film-script with Steve Coogan, and radio plays for Radio 4. The next children’s book is well underway, too – a bit of a departure. It’s about a dog with a crippling identity crisis.

Finally, do you ever visit schools or public libraries and if you do what is the best way to get into contact with you about organising a visit?

Yes, I try to say yes if I possibly can – and the best way to get something organised is through the excellent AUTHORS ALOUD – annemarley@authorsalouduk.co.uk

Thank you so much for taking the time to answer these questions!

Liquidator by Andy Mulligan is published by David Fickling Books and is available on 1st October

Teen Librarian (almost) Monthly September/October 2015

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Zeroes: Favourite Characters and thoughts on Collaboration

margo author picMargo Lanagan

Favourite Character

My favourite character in Zeroes is Crash. She’s observant, thoughtful, basically good-hearted and trying really hard to be responsible. Her power is that she can sense any networked systems around her—any phones, computers, security systems, anything relying on a satellite, wifi, broadband or even a humble optical fibre cable. What’s bad about this power is that:

(a) It hurts to feel all these things—being in a big crowd is like being stung by a swarm of bees, with everyone’s phone’s attacking her, and places with big complex networks are torture for her

(b) If she doesn’t actually make an effort to keep these systems functioning, they crash—hence her code name. So she can do a lot of damage.

She’s also got a very strong moral sense. She’s caught between loving the cleansing relief of crashing things that have been bugging her, and trying to obey her Mom’s rule of Do no harm. She’s an interesting character!

On Collaboration

Compared to writing a novel by myself, I have to say, writing a three-author novel was a piece of cake. I was only technically writing a third of it, even though I still had to be fully engaged with Scott’s and Deborah’s chapters. We all read each other’s chapters, noting where things don’t chime with our own chapters, or where we feel our characters haven’t been done right. Pointing out the number of times Scott used the words “sparkling” or “sputtered”…

Generating the plot was so much easier than my usual method, where I spend months drawing plot maps that don’t work, and drafting screeds of material that never gets used. Not that we didn’t throw stuff away—sometimes our plot got superseded by something cooler. But it all happened so fast! And sitting around at Plot Camp making each other laugh with stupid plot ideas is the best fun. I can highly recommend collaboration.

Scott Westerfeld face600Scott Westerfeld

Favourite Character

My favorite character is probably Scam. His power is “the voice,” which says whatever will get him what he wants. In a way, the voice reminds me of smart-talking detectives in the pulp era, who could disarm the bad guys just by saying the right thing, or convince the cops to let them go if they were found in the wrong place at the wrong time.

Alas for Scam, he’s not as cool as Sam Spade. Growing up with the voice on his side has left him not very proficient with words. He’s never had to learn! So he’s sort of like a kid who’s big brother always protected him, and has never fought his own battles.

On Collaboration

For me, collaborating is like going back in time. When I was a younger novelist, the bad days of writing were dark and horrible and full of despair. The good days were the most amazing I’ve ever had. That’s how things work when you’re new at something–the highs are very high, the lows disastrous.

But since then I’ve written twenty-something novels, and the lows aren’t really that bad anymore. I know from experience that I will get through this. Alas, this also means the highs aren’t as great. But writing with Deb and Margo has brought back those highs. There are sentences and scenes in this book that I never would have managed on my own. And the bad times? Well, let’s just say there are three times as many people to get annoyed with.

DeborahBiancottiDeborah Biancotti

Favourite Character

My favourite character is Flicker, because she’s the one I can most imagine having lunch with. She seems like she’s the sanest and most well-grounded. Maybe it’s a result of having to—literally!—see through other people’s eyes. Despite being born blind, she can see—but only when there’s someone else nearby whose eyes are open.

Of course, every power has a price. Flicker can become overwhelmed by all the different viewpoints that she’s trying to parse in her head. Imagine trying to see a dozen things at once, or a dozen viewpoints on the same thing. And sometimes, she ends up seeing something she really, really doesn’t want to see.

On Collaboration

For me, collaborations are the way of the future. They’re like supercharged writing. TV writers learned this before novelists did. Collaboration lets you air your craziest, wildest ideas. It lets you short-circuit the plotting exercise. You can throw a half-baked idea at your team and then bounce it around between you until it becomes something great. Or you can have your idea shot down in flames within a matter of minutes. That happens.

The best part of the Zeroes collaboration has been what we call Plot Camps. We leave our ordinary lives and come together for three or four days of detailed planning. We work out what will happen and which character will be most affected, and whose point of view chapter this will be. It’s only when you’re back home, alone, trying to make your chapters fit the glamorous ideas of Plot Camp that the doubt begins to creep in. “Why did I agree to this?” and “Can I even pull this off?” are constant companions.


Remembering the golden Age of Manga in Libraries (and a list of manga titles)

Remember when manga was on the cutting edge of library provision a few years ago? Heady times when it seemed like the easiest way to attract teens into libraries was to invest in a manga collection and run a manga art event*.

Oh sure there were the occasional blips, including parents discovering their children paging through shonen-ai** or even worse hentai, because library staff were not aware that not all manga is for young readers; and library borrowers having conniptions when encountering teens cosplaying a Death Note Shinigami*** but overall nothing too major.

In the drk ages of 2006 the September edition Teen Librarian Monthly was a Manga Special, designed to introduce librarians to manga. You can read a copy here: TLM: Manga

I also wrote an article for the Public Library journal, which is readable here: Turning Japanese. I will just say that I was not responsible for the article title.

It all seemed so easy with publishers like Tokyopop running regular ReCon events around the country and of course manga and cosplay still had an aura of underground cool. Then Tokyopop imploded, Tanoshimi disappeared and for a long while there seemed to be fewer titles available.

Even worse**** happened, manga went mainstream and nowadays everyone and their gran seems to know what cosplay is, and a lot of them attend conventions together, dressed up as their favourite characters.

Nowadays the largest providers of manga in the UK are Kodansha, Viz Media and Self Made Hero with their Manga Shakespeare line; then there are UK-based indie manga creators and collectives, the oldest and best-known being Sweatdrop Studios and Umisen-Yamasen.

Even though manga appears ubiquitous, sometimes guidance is required by those that feel that they do not know enough to make safe choices when it comes to stock; so I have decided to put together a list of recommendations suitable for teen readers (13+).

An important thing to remember is that popular manga series can extend to many volumes, Naruto, for example, ran to 72 volumes and One Piece is currently on 79.

Some of these titles are well-known, others less so

Assassination Classroom – Yusei Matsui
Attack on Titan – Hajime Isayama
Animal Land – Makoto Raiku
Black Butler – Yana Toboso
Bleach – Tite Kubo
Cirque du Freak – Darren Shan, Takahiro Arai
Death Note – Tsugumi Obha
Fairy Tale – Hiro Mashima
Fullmetal Alchemist – Hiromu Arakawa
Gon – Masashi Tanaka
I am Here – Ema Toyama
JoJo’s Bizarre Adventure – Hirohiko Araki
Kitchen Princess – Miyuki Kobayashi
The Melancholy of Haruhi-chan Suzumiya – Puyo
Miles Edgeworth: Ace Attorney Investigations – Kenji Kuroda
Monster Hunter Orage – Hiro Mashima
Monster Soul – Hiro Mashima
Musishi – Hiro Mashima
My Hero Academia – Kouhei Horikoshi
My Little Monster – Robico
Naruto – Masashi Kishimoto
Nausicaa – Hayao Miyazaki
No.6 – Atsuko Asano
One Piece – Eiichiro Oda
One Punch Man – ONE
Phoenix Wright: Ace Attorney – Kenji Kuroda
Read Or Die – Hideyuki Kurata
Shaman King – Hiroyuki Takei
Shugo Chara – Peach Pit
Shugo Chara Chan – Peach Pit
A Silent Voice – Yoshitoki Oima
Tegami Bachi – Hiroyuki Asada
Tokyo Ghoul – Sui Ishida
Tokyo MewMew – Reiko Yoshida, Mia Ikumi
Tsubasa – CLAMP
World Trigger – Daisuke Asihara
Your Lie in April – Naoshi Arakawa
Yu-Gi-Oh! – Kazuki Takahashi

* this still works

** this happened to me

*** this also happened

**** worse… or better? I think better

Prattling about Pocket Pirates… an Interview with Chris Mould

Hi Chris, welcome to TeenLibrarian for the Pocket Pirates Q&A!

captain crabsticksAs is traditional I usually ask first time visitors to the site to introduce themselves to the audience, so can you please let us know something about you?

Hi Matt, yes of course. I’m an illustrator at heart and have been for over twenty years.

I began to write to create narrative content that made sense of the worlds and characters growing out of my sketchbook and from there, I began to write ‘in real life.’ Proof that anybody can do it if they really want to.
Without giving too many spoilers can you tell us something about the Pocket Pirates?

The home of the pocket pirates is one of miniature people in a human sized environment. So whether it’s being stuck inside an old teapot, having to climb a stack of old books just to get back home, being harassed by a swarm of huge flies or trying to retrieve a stash of biscuit crumbs, the world is a tricky place when you’re only an inch high, even for a brave buccaneer. But the biggest danger comes from the mice beyond the skirting board and the eight legged menace in the tangled web up above. Look out, the enemy are hungry. It’s dangerous out there in the Old Junk Shop.

jonesHow did you come up with the idea of daring pirates living in a bottle ship?

To be honest I was ready to have a rest from Buccaneers. They’re such a terrible lot. I was having a holiday and I spotted a ship in a bottle as I walked round an old shop. I was always a huge Borrowers and Old Mrs Pepperpot fan and I just thought to myself, ‘aha, tiny pirates would live in there.’ And the Pocket Pirates were born. It allowed me to look at pirates in a different way. They were land lubbers and they were little! What could be more fun?

LilyConsidering that they were basically muggers of the sea and worse back in the day (and still are in some parts of the world) why do you think that Pirates seem to be enduringly popular?

I don’t think it’s the habits of the pirate that people find endearing. There are endless pirate publications for children but most of them avoid any serious reference to cut throat lifestyles. I think it’s the period costume and the on board environment they live in that has timeless appeal for illustrators and authors. It’s a very well-trodden path I know. But creating character and narrative has a lot to do with visual appeal. What can be more fun than big pirate hats, striped socks, skulls and crossbones, frilly shirts, huge sleeved coats and a huge rickety old timber house that moves from place to place? And of course, your average pirate is a cheeky scallywag and we all love a mischievous rogue who can mix it up a bit.

old uncle nogginI have seen your name popping up a lot on twitter, most recently next to a map for Matt Haig’s Christmas book – where else can we find your artwork gracing other author’s words?

Ah yes, drawing pine trees and snowy landscapes in the middle of August was a good way to keep me cool this year (as well as living in the UK 😉 I’ve also been working with the hilariously funny Barry Hutchison on the Benjamin Blank fiction series for Nosy Crow. Tremendously chucklesome fun. Very funny writer.

Returning to things piratical, can you recommend books about pirates by other authors?

You mean the pirate enemy? On the other ship?? Of course not! Buy a copy of Pocket Pirates, and nothing else.

Oh go on then, if I must. Make sure you’ve seen Chris Riddell’s beautifully drawn Pirate Diary. And Shipmate Johnny Duddle is always a pirate winner. His new black and white pirate fiction is genius. And don’t miss the Jim Ladd and Benji Davies Space Pirates series from Nosy Crow. I could go on….
Who is your favourite fictional freebooter? and do you have any favourite non-fiction pirates?

Fiction: Ah I always come back to ‘Silver’. He’s THE BEST. Treasure Island is a text I can read over and over again. And I have to be staring at the Ralph Steadman version.

Non Fiction: I can’t favourite any of the real ones. They’re all bad uns and I’d lock em all up.

What is coming next for the Pocket Pirates?

In the next book the hungry Buccaneers dare to venture outside when their food supplies get low. I won’t give much away but when it rains and they are washed into a storm drain, the rain soaked fun begins.

To inject a bit of levity in to the serious subject of swashbucklers, do you have a favourite pirate joke, and can you share it?

Oh….. And my pirate joke…..


Why does it take a pirate so long to learn the alphabet?

Because he spends years at C!

Thank you so much for giving up your time to drop by and answer some questions!

Thank you Matt. Your support is hugely appreciated.

The Black Lotus Tour: Writing Books with Kids

Kids like writing, but all too often the joy of it gets lost in the mountains of school and home work. Let a child write about something they’re interested in, something meaningful, and the difference will be huge. I discovered this recently in a letter writing lesson. My pupils were required to write an imaginary letter to someone. The results were a little dull. Soon after, however, I arranged a class pen pal swap with a school in America. Once the kids had real pen pals to write to, their writing became alive with personality and enthusiasm.

They say the early childhood years are the formative years of any person’s life, but is it really true? In my case – yes, and here’s the proof. When I was a kid, I wrote two books – one called ‘The Magic Sword’ and one called ‘The Samurai’. Thirty years later, my first novel is published and guess what it’s about? Magic swords and samurai! It’s about other things too, but the influence of my childhood writing cannot be ignored. Writing a book as a child allowed me to experience the thrill of creating new worlds and characters, as well as the thrill of seeing somebody else read about them. Perhaps if I hadn’t written those books as a child, I’d never have become an author as an adult.
So when I became a teacher I decided to give other kids the opportunity to write a book, in the hope that it might influence their adult life. I started writing books with children in the pre-digital age, so we wrote and illustrated stories on sheets of paper and then stapled them together.

We then got involved with the ‘Write a Book’ scheme which was being run by education centres around the country. As part of this initiative, my pupils each wrote a book and then sent them off to be read and reviewed by other pupils. In return, we received a similar box of books. It was a fantastic scheme.

When computers came into the classroom, they took my book project to the next level. No longer did the child with the messy writing have to feel self-conscious about their handwriting. The printed word became the great leveller in the classroom. Sure, after reading the books, you could still tell which were better than others, but not anymore could you make this decision at first glance.
The printed word made the books feel more like real books. But with staples and sellotape for binding, they were still a long way off being the real deal. Then along came the internet, and following closely behind it, Print-On-Demand (POD) publishers.

So here’s what my pupils do now: they spend the first term of school preparing for the biggest writing project of their lives by doing all the regular stuff kids do in classrooms across the world. But this time, with a difference. Because now the ‘pointless’ writing activities are no longer pointless, but are training for the book they will write after Christmas.

After having plenty of writing practice in different genres in both fiction and non-fiction, they decide what their book will be about. They spend their Christmas holidays thinking about it, and then return to school in January fired up and ready to start. Free software is downloaded onto the school PCs and pupils spend the next three months writing, drafting, editing and typing their stories. They then illustrate their books with their own artwork or photos. Each book is then uploaded to the POD publisher’s server in America, before being printed in the Netherlands. Once the child’s book is posted, we track the package across Europe until it arrives at the classroom door. Nothing beats the excitement of opening that parcel with your own printed book inside.
Once all the books arrive at the school, we put away all class readers and use the pupils’ books as class reading material. Pupils read, comment on, and answer questions about each other’s books. Probably the only thing that beats writing your own book is seeing somebody else read and enjoy what you’ve written.

At the end of the year, when copies are thrown in the bin, and textbooks are discarded, these books are carefully brought home and proudly displayed on bookshelves for grandparents, uncles and aunties to see. And long after we’re all gone, some of these treasures will still survive, and hopefully will be picked up by some curious reader in the distant future.

My childhood creation led to what is now a passion in my adult life. I’m hoping it will do the same for some of my pupils.

The Black Lotus by Kieran Fanning published by Chicken House.

Follow Kieran on Twitter @kieranjfanning and find out more at www.kieranfanning.com and http://www.chickenhousebooks.com

The Secret Fire: Interview with Carina Rozenfeld and CJ Daugherty

Alchemy… the occult science devoted to matter transmutation, best known for the search for eternal life and the quest to turn lead into gold.

Now two authors, CJ Daugherty and Carina Rozenfeld have combined their talents and turned mere ink and paper into literary gold with their new book The Secret Fire.

The power of two does not end there today two blogs have two interviews about the creation of the novel. Read the interviews below in French and then follow the link to the English interviews at La Voix du Livre

I interviewed Carina Rozenfeld and my blog twin Tom of La Voix du Livre interviewed CJ Daugherty.

Bonjour Carina, bienvenue à l’interview The Secret Fire pour Teen Librarian et La Voix du Livre ! Mon binôme blogueur Tom a interviewé CJ donc tu es mienne pour toute la durée de cette interview (insérer une voix menaçante). Je te présente mes excuses pour mes lacunes en français et j’espère que les poser en Anglais ne posera pas de problème.
Ma première question que je pose à tous les auteurs que j’interviewe pour le blog est de les inviter à se présenter aux lecteurs, peux-tu s’il te plaît nous dire quelques informations sur toi ?

Quelque chose à mon propos ? Alors, je suis une écrivaine française. J’ai écrit environ 20 livres en France, pour les enfants, les adolescents et les jeunes adultes. Je suis aussi la mère d’un adolescent qui étudie les arts appliqués. Je vis à Paris avec lui et mes chats, pas très loin de la Tour Eiffel…

Est-ce que The Secret Fire est ton premier roman à quatre mains ?

Oui, c’est la première fois que j’écris un roman avec quelqu’un d’autre. J’ai écrit environ 20 livres seule et c’est un beau changement et une super expérience de pouvoir explorer d’autres façons d’écrire.

Comment c’était de travailler avec CJ ? Quels ont été les plus grands challenges auxquels tu as dû faire face dans ce travail collaboratif ?

Travailler avec CJ, c’est génial, drôle et facile. Ça aurait pu être vraiment difficile, mais à la fin, on a trouvé une façon d’écrire ensemble qui a parfaitement fonctionné. La partie la plus difficile a été la langue, sans aucun doute. C’est déjà difficile de trouver sa propre voix, sa propre façon décrire dans sa langue natale, alors vous pouvez imaginer comment ça a été difficile en Anglais ! Mais CJ m’a beaucoup aidé. Merci à elle !

Quelle a été la meilleure partie de cette expérience d’écriture pour toi ?

J’adore (j’utilise le présent car on est en train d’écrire le tome 2 en ce moment même) qu’on puisse échanger nos idées. Et j’adore attendre les chapitres qu’elle m’envoie, car je suis alors à la place du lecteur, puis prendre celle de l’écrivain pour lui permettre d’être la lectrice. C’est très motivant.

Est-ce que vous avez établi un plan scénaristique, une frise chronologie, pour être sûr que vos personnages restaient sur la bonne voie tout au long de l’histoire ?

Pas vraiment. Dans le premier livre j’ai écrit les chapitres sur Sacha, et CJ ceux sur Taylor, alors on savait toujours où les personnages en étaient dans l’histoire. Mais de temps en temps on décidait ensemble ce qui allait se passer dans les chapitres suivants.

Comment avez-vous séparé les scènes d’écriture ? Je suppose que tu as écrit celles sur Sacha et CJ a travaillé sur Taylor (ou je me trompe ?) Mais quand ils se rencontrent, comment avez-vous fonctionné ?

Oui, j’ai écrit les parties sur Sacha et CJ celles sur Taylor. Quand ils sont ensemble ou discutent ensemble, alors, quand c’était mon chapitre par exemple, CJ était libre de changer des choses, pour aller plus dans la profondeur de la pensée de Taylor, pour être plus proche de son personnage, et inversement.
J’ai un peu honte de dire que j’ai une connaissance très limitée des livres non-anglophones en YA ; peux-tu nous recommander quelques auteurs européens de YA que tu aimes ?
Je ne suis pas surprise. La plupart des écrivains français ne sont pas traduits en anglais, alors n’ayez pas honte. C’est vraiment dommage parce qu’il y a beaucoup d’écrivains européens particulièrement bons. Je pense à Charlotte Bousquet, Samantha Bailly, Yves Grevet, Christophe Lambert, Victor Dixen qui sont français et Cindy Van Wilder qui est belge. Je pourrais encore en mentionner beaucoup. La littérature française est pleine de trésors.

Qu’est-ce que ce travail t’a apporté dans ta vie personnelle et dans ta vie professionnelle ?

C’est une expérience incroyable. Dans ma vie personne, j’ai une nouvelle amitié avec CJ et j’ai réalisé un rêve, celui de publier un livre en anglais, parce que mon frère vit en Amérique et ma belle-sœur et toute sa famille sont américains. Je suis ravie de savoir qu’ils vont finalement pouvoir lire un de mes livres. Dans ma vie professionnelle, je peux maintenant savoir ce que c’est d’être un auteur « anglais ». Les choses ne sont pas les mêmes : sa façon de travailler avec son editor/publisher (Ndt : en anglais, le mot n’est pas le même. L’editor est celui qui s’occupe du travail éditorial tandis que le publisher est celui qui publie le livre – c’est un poste plus logistique et directorial), la façon dont son livre voyage dans le monde parce qu’il est en anglais.

Est-ce que The Secret Fire est ton premier livre disponible en anglais ?

Oui, et j’ai beaucoup d’optimisme sur la suite, quelques éditeurs anglais seront peut-être intéressés de traduire mes autres livres après celui-ci !

Quelques uns de mes éditeurs français sont en relation avec mon éditeur anglais Atom Books. Peut-être que quelque chose se passera un jour ?

J’ai eu une longue période d’intérêt en l’alchimie durant mes penchants gothiques adolescents, alors j’aurais aimé savoir si vous avez fait des recherches sur l’alchimie pour cette histoire ?

La plupart des recherches ont été faites par CJ, parce que son personnage est plus concerné par l’alchimie. Mais j’ai lu quelques choses sur ce sujet.

Vous avez décidé d’écrire une histoire fantastique. Pourquoi cela était-il important pour vous ?

La plupart de mes romans ont une trame fantastique. Alors j’était familière de ce genre. CJ, elle, voulait faire une histoire plus fantastique et paranormale que Night School donc ce genre nous est venu assez naturellement.

Crois-tu que les alchimistes peuvent vraiment transformer des matières en une autre forme ?

En fait, en un sens, ne sommes-nous pas des alchimistes quand nous allumons la lumière dans nos maisons ? On transforme quelque chose, de l’énergie, de l’électricité, en lumière…

Que penses-tu de la magie ?

J’adore les bonnes histoires avec quelque chose de magique dans celles-ci. Et quand je vois un magicien, je suis toujours étonnée par ce qu’ils sont capables de faire, et je veux croire que c’est possible ! Peut-être que c’est pour ça que j’écris des histoires avec tant de fantastique : j’aimerais que tout cela comme la magie, les extraterrestres, avoir des ailes, être le Phénix puisse vraiment exister…

Si tu étais alchimiste, que ferais-tu de tes capacités ?

M’aider à travailler plus vite ? Trouver un moyen de voyager super vite, comme la téléportation ? Sentir le monde autour de moi de façon plus forte ?

Penses-tu que le réalisme magique de votre histoire peut aider le lecteur à considérer les vrais problèmes auquel un jeune adulte est confronté dans notre monde ?

Je lis beaucoup de YA et je pense que dans tous les livres, peu importe le genre (fantasy, paranormal, SF, réalisme…), on a toujours une certaine résonnance avec les problèmes des jeunes adultes : devenir un adulte avec des responsabilités, choisir quel genre d’adulte on aimerait devenir. La relation au monde, aux autres, aux parents, les capacités qu’on a pour construire la personne qu’on va devenir, comment faire face aux changements auxquels on va être confrontés, la réalité de la vie et de la mort…

Peux-tu nous donner quelques informations sur le tome 2 ?

Je n’en suis pas sûre… Mais peut-être que je peux vous dire que vous allez en apprendre plus sur les alchimistes, et que vous allez rencontrer des créatures encore plus terrifiantes.

Merci beaucoup d’avoir répondu à cette interview !

Some People Are Dangerous

Bonjour CJ, bienvenue sur La Voix du Livre pour l’interview sur The Secret Fire ! Mon binôme blogueur Matt a interviewé Carina (nous échangeons nos auteurs locaux) !

www.darrenbrade.comEst-ce que tu peux nous dévoiler quelque chose à propos de toi ?

Je suis une ancienne journaliste qui travaillait sur des meurtres et aujourd’hui j’écris des romans !

Est-ce que The Secret Fire est le premier roman que tu as écrit à quatre mains ?

Oui, j’ai écrit seule tous mes autres romans.

Comment c’était de travailler avec Carina ? Quels étaient les plus gros challenges ? Et quel a été le meilleur moment de cette expérience littéraire ?

C’était vraiment génial ! On se motivait mutuellement. Quand on a commencé à travailler sur The Secret Fire, on l’appelait « Le livre aux deux cerveaux ». On a décidé qu’il serait deux fois mieux que n’importe quel livre qu’on a écrits chacune de notre côté.
Ce qui a été le plus compliqué a été de décider comment nous allions procéder. Est-ce que nous devrions Skyper tous les jours ? Est-ce que nous devrions partager toutes nos idées avant de les écrire ? Mais finalement nous avons mis en place un système de chapitres alternés, et ça s’est bien mis en place.

Est-ce que vous aviez prévu ensemble la chronologie de l’histoire pour être sures que vos personnages restent sur la bonne voie durant tout le roman ?

Non, pas au début. On écrivait simplement les chapitres comme ils venaient. Mais quand l’intrigue s’est vraiment développée, c’est devenu nécessaire d’organiser la suite. Nous avons donc décidé ensemble de ce qui allait arriver et nous avons ensuite écrit le reste de nos chapitres. Et pour le second tome, nous avons un synopsis détaillé et nous essayons plus ou moins d’y rester fidèles.

Qu’est-ce que ce travail vous a apporté, dans votre vie professionnelle mais aussi personnelle ?

Ca a supprimé la solitude du travail d’écriture. J’avais un retour immédiat sur mon travail. J’envoyais un chapitre à Carina dans la matinée et elle me répondait le plus souvent dans les heures qui suivaient. Et j’adorais lire ses chapitres, c’était comme avoir un petit cadeau chaque jour.

Est-ce que vous avez dû effectuer beaucoup de recherche sur l’alchimie ?

ENORMEMENT. J’ai lu des traductions de livres d’alchimie du XVe siècle et j’ai étudié les inventions et l’imaginaire de l’alchimie. Et le titre de notre roman est emprunté à un célèbre texte du XVIe siècle sur l’alchimie.

Pourquoi est-ce que c’était important pour vous de créer une intrigue fantastique ?

Je n’avais jamais écrit de fantasy avant et j’avais envie de voir tout ce qu’on peut faire quand les lois de la physique ne s’appliquent plus à vos personnages et que vous pouvez aller au-delà des limites. Lorsque nous écrivons de la fantasy, nous ne somment pas limités.

Est-ce que vous croyez que les alchimistes pouvaient transformer une substance en une autre ?

C’est ce que nous faisons toute le temps à notre époque. Nous transformons le fer ou le minerai en acier, le plastique en tissus.
Et le plastic vient du pétrole. Quand on assemble deux molécules, on peut créer quelque chose de complètement différent. Associe le sodium et le chlorure, tu crées du sel de table. Notre monde est plein de transformations et les alchimistes étaient juste en avance sur leur temps. Après tout, l’alchimie c’est 90% de la science et seulement 10% de magie. Et est-ce que tu ne crois pas aux 10% de magie ?

Quel est ton point de vue sur la magie ?

J’aimerais être une sorcière, est-ce que c’est trop demander ?

Si tu avais des compétences en alchimie, qu’est-ce que tu aimerais faire ?

J’aimerais faire de belles choses, rendre les gens heureux, donner à mes amis tout ce qu’ils veulent. Et aussi, agrandir ma maison.

Est-ce que tu penses que le mélange de magie et de réalisme de votre roman peut aider les lecteurs à voir les problèmes réels auxquels les jeunes adultes sont confrontés dans le monde ?

Dans le roman, Sacha meurt alors qu’il vient juste d’avoir 18 ans. Je pense qu’il est juste de dire que quand on est jeunes, les 18 ans peuvent symboliser la fin de la jeunesse et le début intimidant d’une vie d’adulte. Ce livre parle du désir de survire à 18 ans et montre les incroyables possibilités qu’apporte le futur. Ce livre montre également à quel point la science peut être géniale. Donc, je contribue à ma manière pour éduquer les jeunes ?
Est-ce que vous avez le droit de nous donner quelques indices sur le deuxième tome ?

Le tome 2 commence trois semaines avant les 18 ans de Sacha. Ils sont sur le point de découvrir qui est le Dark practitioner et pourquoi il est passé de l’alchimie à la démonologie. Le temps file mais Taylor devient plus fort.

Est-ce que tu peux nous dire quels autres auteurs français et anglais de YA tu apprécies ?

Evidemment, je recommande tous les livres de Carina Rozenfeld, en particulier Phaenix, elle est une auteure formidable !
J’adore également Cindy Van Wilder, qui est belge mais qui écrit en français. Elle a par exemple écrit Les Héritiers et La reine des neiges.

Et dans les auteurs anglais ou américains, j’adore Holly Bourne (Am I Normal Yet ?), Mel Salisbury (The Sin Eater’s Daughter) et Cassandre Clare (The Mortal Instruments) et plein d’autres encore !

All my thanks go to Tom & his girlfriend for the rapid translation of these interviews from English into French!

The Secret Fire – Book Trailer